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James Maberly Sculpture and Drawing

  • Home
  • Galleries
    • Seeing thro', not with the eye
    • Conscious, Spiritual and Mystical work
    • Landscape
    • Animal sculpture
    • Animal drawings
    • Self-portraits
    • Ferrybridge Cooling Tower Sculpture Project
    • Abstract and Exploratory work
    • Intuitive art
    • Why Follow Rules?
  • Sales
  • Commissions
  • Lessons
  • About
  • Articles
  • Blog
  • Contact
View fullsize Near Helmingham
View fullsize Towards Wooden Bridge
View fullsize The two oaks
View fullsize Towards Brundish, along the River Alde
View fullsize Towards Peter's Pond
View fullsize Low Meadows, towards Tannington - charcoal, pastel and conte
View fullsize Looking across Jackson's farm - charcoal, pastel and conte
View fullsize Towards Mendham (autumn)
View fullsize The building site - charcoal, pastel and conte
View fullsize The Shrieking shack
View fullsize Pink trees in Ireland field.
View fullsize The  pylon in the Barley - charcoal, pastel and conte
View fullsize  This image ( Fields   of Gold 1 - Towards Fentons ) was drawn in pastels at midday, so   has a particular quality of light. I was reminded also of the Poem 'The   Journey of the Magi' by TS Eliot... 'Then   at dawn we came down to a temperate v
View fullsize  This image ( Fields of Gold 2 - towards Fentons barn ) was drawn in the evening as the light began dropping and the temperature cooled. Really enjoyed the colours thrown up by the light and the deepness of the shadows. Amazing pinks in the sky...as
View fullsize Two trees, Dartmoor -  Acrylic white, charcoal, charcoal dust and white pastel
View fullsize The bend at Cuckoo Hill - acrylic white, charcoal, charcoal dust and white pastel
View fullsize The old lead pump
View fullsize  This image ( Fields of Gold 4 - Harvesting back Meadow ) was drawn in pastels in the evening as the sun went down. This is number 4 in the Fields of Gold series. More to follow. I wanted to capture the harvester moving through a field of barley, wit
View fullsize  Fields of Gold 5 - Bales in Back Meadow. With the harvest in, the bales of straw are left in the field to be collected and stored for the coming winter to provide bedding for the cattle in their shed. The long evening shadows and the warm light thro
View fullsize Fields of Gold 6 - Bales at Red House Farm
View fullsize   The Barns behind the House, Suffolk . This is an image of the gap between our barns. It shows the change of colours as autumn begins to settle in and the days get shorter. The evening light creates a delightful tonal variation and the autumn colour
View fullsize  This image ( FIelds of Gold 3 - towards Tannington ) looks across a mild valley, though quite a big one for Suffolk, towards the village of Tannington. Seven fields of wheat are displayed, some quite distant. This was drawn at dawn, and it was a joy
View fullsize Barley growing near Wooden bridge - charcoal, pastel and conte
View fullsize The Farm entrance
View fullsize The Red Chimney Stack - charcoal, pastel and conte
View fullsize Jacksons Farm (cropped)
View fullsize The old stables and the studio
View fullsize The garage roof after storm Eunice
View fullsize The Shrieking Shack - charcoal, pastels and conte

These landscapes are fresh off the easel. Have a good look, and if you want to see them full screen, click on the images above. More landscapes to follow.

Latest Landscape catalogue

Below, is an image of the cover of my latest selection of landscapes. Please click on the image to open the catalogue.

Fields of Gold

I have so far completed five images of a new series of landscapes, all at different times of day. The first at midday (a bit warm out there....), the second, fourth and fifth as the sun went down and the third as the sun came up. All are scenes not too far from the house and on the farm on which we live. I still have at least another to do for the series, but here are the first five. They are entitled 'Fields of Gold', after Eva Cassidy's brilliant recording of the song by Sting and in tribute to the beauty of her voice and her arrangement of the original song. If you haven't heard it, follow this link.

Comments received;

‘You should’ve heard me as I read your email and looked at your artwork… I kept saying Wow, wow wow!’ - Serena Faith Masterson

‘What amazing paintings’. - Sue Arkell

‘Brilliant work James’ - Phil Nilson

‘Stunning James’ - John Rutherford

‘Very Nice James, very nice..’ - Tim New

Below - panoramic landscapes

Some years ago I did some panoramic landscapes, taking a view from 9 o'clock to 3 o'clock (using a clock face as a descriptive tool). This captures so much more of a particular view. Really good photographers can achieve this but so often, photographs and paintings only capture just a small section of an outstanding view. What is often lost is the atmosphere - the whole image coming together. When we gaze out onto a gorgeous landscape, we are also taking in our peripheral view as well and it is the blending of both views that creates the atmosphere we so enjoy. Producing a panoramic image helps to capture that feeling and the width of it means that the image is coming at you from both sides, capturing a sense of that vibrant energy. Here is the most successful of those panoramic landscapes.

Looking across Jacksons farm towards Badingham, Dennington, in Suffolk. SOLD

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